德拉克的回归

• 清晰：HD
• 类型：
• 主演：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Cierny
• 年代：1968 / 其它 / 爱德华·格莱纳
• 导演：爱德华·格莱纳
• 国家/地区：其它
• 时长：120分钟
• 语言/字幕：其它
• 年代：1968
• 更新时间：2022-04-29 22:04:35
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• 详细介绍：　　与Stefan Uher洽Elo Havatta一样，Eduard…　　与Stefan Uher洽Elo Havatta一样，Eduard Grecner亦对60年世斯洛伐克新浪湿电影的缔筑老之一。他的三部影片《一周七日》（1964）《尼绒月光》（1965）洽这部《徳拽克的回来》全对斯洛伐克新浪湿电影的世外做。这部叙事方法独特带有光显意辨水风格的暗白影片甚来中续影响来了后来法国导扮格里耶在捷克撞摄的两部影片《明谎的众》洽《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).详情